KodakondsusAmeerika Ühendriigid, Tšiili, Panama
KeeledHispaania (emakeel), ameerika-inglise keel (sujuv), inglise keel (sujuv), Itaalia keel (põhiteadmised), Saksa keel (põhiteadmised), inglise-briti (põhiteadmised)
Sündinud1982, Panama, Panama
Mängimise vanusevahemik37 - 47
pikkus185 cm
Etnilised tüübidLatiina / Hispaania, Multi-etniline
ResidentuurBerlin - Berliin (Saksamaa), Florida (Ameerika Ühendriigid), Berlin - Berliin (Saksamaa)
EluasemevõimalusSantiago (Tšiili), Panama (Panama), Munich - Baieri (Saksamaa), Madrid - Madrid (Hispaania)
TöölubaEuropean Union, United States
Alternatiivsed kontaktandmed:
Keeled Hispaania (emakeel), ameerika-inglise keel (sujuv), inglise keel (sujuv), Itaalia keel (põhiteadmised), Saksa keel (põhiteadmised), inglise-briti (põhiteadmised)
Dialektid Southern - American (riigi murre), Standard American (sujuv)
Aktsendid Hispaania (riigi aktsent), Kariibi meri (riigi aktsent), Ladina-Ameerika (riigi aktsent), Lõuna-Ameerika (riigi aktsent), Inglise (väga hea), Mehhiko (väga hea), Ameerika (hea), Argentiina (hea)
Tantsu Bachata (väga hea), Butoh (Jaapan) (väga hea), Koreograafia (väga hea), Ladina-Ameerika tants (väga hea), Merengue (väga hea), Salsa (väga hea), Tantsuimprovisatsioon (väga hea), Tantsukoolitus (väga hea), Tantsuteater (väga hea), Aafrika tantsud (kaasaegne) (hea), Aafrika tantsud (traditsioonilised) (hea), Afro (hea), Ballett (hea), Cha Cha Cha (hea), Dancehall (hea), Disko (hea), Forró (hea), Freestyle (hea), Rumba (hea), Capoeira (põhiteadmised), Samba (põhiteadmised), Swing tants (põhiteadmised), Tänavatants (põhiteadmised), Urban tants (põhiteadmised)
Häälekõrgus / dubleeriv hääl Bariton
muusikainstrumendid Cajón (väga hea), Aafrika trummid (hea), Flööt (hea), Löökpillid (hea), Bongo trummid (põhiteadmised), Charango (põhiteadmised), Kitarr (põhiteadmised), Löökpillid (põhiteadmised)
Sport Aeroobika (väga hea), Jooga (väga hea), Karate (väga hea), Piljard (väga hea), Tai Chi (väga hea), Tai Chi Chuan (väga hea), Ujumine (väga hea), Bowling (hea), Jalgrattasõit (hea), Jooksmine (hea), Korvpall (hea), Mootorratta (hea), Mägijalgratas (hea), Pilates (hea), Poks (hea), Veesuusatamine (hea), Vehklemine (hea), Võitluskunstid (hea), Võrkpall (hea), parvetamine (hea), DL - Kaitselabor / DNA Fight Science System (põhiteadmised), Fitness (põhiteadmised), Kajak (põhiteadmised), Lauatennis (põhiteadmised), Raskused (põhiteadmised), Tennis (põhiteadmised), Uisutamine (põhiteadmised)
Juhiload auto
Muud oskused Tantsuõpetaja
Mängimise vanusevahemik 37 - 47
pikkus 185 cm
Ehitus sportlik
Kaal 80 kg
silmade värv pruun
juuksevärv pruun
Soeng keskmise pikkusega lokkis
Näokarvad Habe
Kaksik Ei
Etnilised tüübid Latiina / Hispaania, Multi-etniline
Tätoveering Jah, ei ole nähtav
Läbilõikav Puudub
Prillid Ei
Armid Puudub
Andres Garcia
Režissöör
Ansambli liige
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Monoloog
Draama, Monoloog
Malucha Pinto
Režissöör
Peaosatäitja
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Režissöör
Kõrvalosa
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Režissöör
Kõrvalosa
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Režissöör
Peaosatäitja
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Režissöör
Juan José
Peaosatäitja
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Režissöör
Lina
Pidev peaosa
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Režissöör
Peaosatäitja
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Režissöör
Ivanov
Peaosatäitja
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Režissöör
Täispikk roll
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Gonzalo Diaz
Režissöör
Armando
Kõrvalosa
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Lühifilm
Antonia Renard
Režissöör
Josué
Peaosatäitja
Nicolás Acuña
Režissöör
Antonio
Episoodiline roll
Matthias Glasner
Režissöör
Aguti
Kõrvalosa
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
Lühifilm
Antonia Renard
Režissöör
Josué
Peaosatäitja
Gonzalo Diaz
Režissöör
Armando
Kõrvalosa
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Monoloog
Draama, Monoloog
Malucha Pinto
Režissöör
Peaosatäitja
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Režissöör
Kõrvalosa
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Režissöör
Kõrvalosa
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Režissöör
Peaosatäitja
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Režissöör
Juan José
Peaosatäitja
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Režissöör
Lina
Pidev peaosa
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Režissöör
Peaosatäitja
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Režissöör
Ivanov
Peaosatäitja
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Režissöör
Täispikk roll
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Andres Garcia
Režissöör
Ansambli liige
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.